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The film is framed because the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mix of cruel reserve and vigorous physicality with the great Denis Lavant). Loosely based on Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use from the Benjamin Britten opera that was likewise influenced by Melville’s work, as excerpts from Britten’s opus take over a haunting, nightmarish quality as they’re played over the unsparing training physical exercises to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing within the desert with their arms within the air and their eyes closed as if communing with a higher power, or regularly smashing their bodies against a person another in a number of violent embraces.
A miracle excavated from the sunken ruins of a tragedy, plus a masterpiece rescued from what appeared like a surefire Hollywood fiasco, “Titanic” might be tempting to think of because the “Casablanca” or “Apocalypse Now” of its time, but James Cameron’s larger-than-life phenomenon is also quite a bit more than that: It’s every kind of movie they don’t make anymore slapped together into a fifty two,000-ton colossus and then sunk at sea for our amusement.
“Jackie Brown” might be considerably less bloody and slightly less quotable than Tarantino’s other 1990s output, nonetheless it makes up for that by nailing the entire little things that he does so well. The clever casting, flawless soundtrack, and wall-to-wall intertextuality showed that the same guy who delivered “Reservoir Canine” and “Pulp Fiction” was still lurking behind the camera.
Set in an affluent Black Local community in ’60s-era Louisiana, Kasi Lemmons’ 1997 debut begins with a regal artfulness that builds to an experimental gothic crescendo, even as it reverberates with an almost “Rashomon”-like relationship for the subjectivity of truth.
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that attracted massive stars (including Robin Williams and Gene Hackman) and made a comedy movie killing at the box office. Within the surface, it might appear to be loaded with gay stereotypes, but beneath the broad exterior beats a tender heart. It had been directed by Mike Nichols (
‘Lifeless Boy Detectives’ stars tease queer awakenings, picked family & the demon shenanigans to come
That query is essential to understanding txxx the film, whose hedonism is simply a doorway for viewers to step through in search of more sublime vedio sex sensations. Cronenberg’s course is cold and clinical, the near-constant fucking mechanical and indiscriminate. The only time “Crash” really comes alive is while in the instant between anticipating Dying and escaping it. Merging that rush of adrenaline with orgasmic release, “Crash” takes the vehicle as a phallic symbol, its potency tied to its potential for violence, and redraws the boundaries of romance around it.
“Underground” is definitely an ambitious three-hour surrealist farce (there was a 5-hour version for television) about what happens to your soul of the country when its people are pressured to live in a continuing state of war for 50 years. The twists on the plot are as absurd as they are troubling: One particular part finds Marko, a rising leader in the communist party, shaving minutes off the clock each working day so that the people he keeps hidden believe the most current war ended more just lately than it did, and will therefore be inspired to manufacture ammunition for him in a faster amount.
Mahamat-Saleh Haroun is one of Africa’s greatest living filmmakers, and while he sets nearly all his films in his indigenous Chad, several others look at Africans struggling in France, where he has settled for most of his adult life.
Adapted from the László Krasznahorkai novel with the same name and maintaining the book’s dance-influenced chronology, Béla Tarr’s seven-hour “Sátántangó” tells a Möbius strip-like story about the collapse of a farming collective in post-communist free pirn Hungary, news nude of which inspires a mystical charismatic vulture of a man named Irimiás — played by composer Mihály Vig — to “return from the lifeless” and prey over the desolation he finds among the desperate and easily manipulated townsfolk.
Viewed through a different lens, the movie is also a intercourse comedy, perceptively dealing with themes of queerness, body dysphoria along with the desire to get rid of oneself in the throes of pleasure. Cameron Diaz, playing Craig’s frizzy veterinarian wife Lotte, has never been better, and Catherine Keener is magnetic as the haughty Maxine, a coworker who Craig covets.
That Stanley Tong’s “Rumble within the Bronx” emerged from that humiliation of riches given that the only Hong Kong action movie on this list is both a perverse sex tube testament to the fact that everyone has their have personal favorites — How can you pick between “Hard Boiled” and “Bullet within the Head?” — plus a clear reminder that one star managed to fight his way above the fray and conquer the world without leaving home behind.
, future Golden Globe winner Josh O’Connor floored critics with his performance like a young gay sheep farmer in Yorkshire, England, who’s battling with his sexuality and budding feelings for just a new Romanian migrant laborer.